Showing posts with label Museum of Modern Art. Show all posts
Showing posts with label Museum of Modern Art. Show all posts

Wednesday, June 19, 2013

My Grandmere's Special Insight


Maman et Papa thrust me into a crate on my very first night in my new home.

It was early November. I'd endured a 13 hour airplane flight (changed in Dallas), pick up at the freight gate at Hartsfield-Jackson, 1 1/2 hour drive from Atlanta to Athens. And believe me, none of it was first class.

Exhausted and terrified describes us all, me, Maman et Papa. I vividly recall that it was still light out when Maman et Papa drew the (flimsy) curtains, plopped me in my crate, stretched out on their comfortable futon and whispered together, waiting for me to fall asleep.

I overheard this exchange: Maman, "animals always go to sleep when it's dark and quiet." Papa, "should we drape a cloth over the crate?" Maman, "too like a bird cage, but be very very quiet and she'll think it's night." So humiliating for all concerned.

Eight years later, my crate has been transformed into a loft. I have a snuggly bed and I've been promised a TV of my very own. My food is served in a (NYC) Museum of Modern Art bowl and my water goblet is Mondrian patterned.

But they say the more things change, the more they stay the same (in my native tongue: plus ca change, plus ca meme chose; Sorry, no French language key board). Grandmere may not be my biggest fan, but she's a realist and we share a bond of common sense that seems to be otherwise lacking in the Lester Roushanzamir clan. Here's the evidence; she clipped this from the Wall Street Journal and mailed it to me:


[it reads: I'd have to say the biggest lie they tell themselves is 'Oh he likes the crate!'...unbelievable.]

How often have I heard that absurd phrase, "Oh, she likes her crate," and how often have I cringed at its rank absurdity. Still, I suppose Maman et Papa mean well.

And admittedly, they shake and serve a good stiff martini.  Please make it a double.

Thursday, October 25, 2007

The art & biography of cities

[Note: links for this entry in either blue or purple]

The picture above illustrates one of my utmost pleasures: reading in bed. For example, bed is where I pursue my interest in the art & architecture of urban environments & how they function as evidence of social & cultural history. This blog entry outlines that interest & provides some resources, both written & visual, for those of you also attracted to the subject.

Works of Scholarship & Analysis.

Donald J. Olsen, the author of The City as a Work of Art: London, Paris, Vienna.
Olsen argues that a city's art & archetecture provide access to social & cultural history, offering insights into class differences, family and social organization, among other categories. As a Library Journal reviewer observes [quoted on Amazon] "the city is interpreted... as a vessel of civilization itself, a theater of historicist consciousness."


London: The Biography, by Peter Ackroyd.
Just get it & read it. Brilliant & now available in paper, but worth spending extra for the cloth edition.
New York Rises, photos by Eugene de Salignac, essays by Michael Lorenziniand Kevin Moore.

"From 1906 to 1934, Eugene de Salignac shot over 20,000 stunning 8x10-inch glass-plate negatives of New York City...." [see Amazon for brief review]


New York Underground: The Anatomy of a City, by Julia Solis.
This book explores New York City's subterranean-scape, i.e. story of a city through its sewars. Pictures & text offer a fascinating & unlikely tour. [Amazon, although on backorder]



Urban geography through Mystery.
See entries: October 23, 27-29, 2006 for British social & cultural biography-through-geography from 1929 through the present.

October 21 entry for the cultural geography of Southern California, 1950s-late 1970s.

Visual Arts.
Galleries of the Museum of Modern Art [MoMA]